Everybody knows Elvis covered Ray Charles’ ‘I Got A Woman’ (1954). In turn, everybody knows the soul genius ‘copied’ it from a gospel song he heard on the radio, ‘It Must Be Jesus’ (1954) by the Southern Tones. Yet the story goes even further back in time. Here’s a sketch of how a spiritual turned into a soul and rock ‘n roll tune. Amen!
I don’t have FTD’s
His Songs Of Praise. It’d be cool if someone could check it and compare it with the bits I scraped together. All feedback, comments, additions, corrections are very welcome! Thx.
Update: The Warder mentioned ‘It Must Be Jesus’ as inspiration for ‘I Got A Woman’ here:viewtopic.php?f=3&t=4004&p=32010&hilit=Ray+Charles+Woman#p32010I Got A WomanWritten by Ray Charles (1930 - 2004) & Renald Richard (1925 - 2017)
First recorded by Ray Charles, in Atlanta, GA, November 18, 1954.
First released as ‘I’ve Got A Woman’, 45 rpm Atlantic (45-1050), December 1954. Flipside: ‘Come Back Baby’. See label scan below.
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Charts: #1 Billboard R&B
Billboard review, January 1, 1955:
'I've Got A Woman': "one of the most infectuous blues sides to come out on any lable since the summer. It has a rocking, driving beat and a sensational vocal by the chanter."
'Come Back Baby': "a slow, meaningful ballad, and it also features a wonderful vocal. Both sides are outstanding".
Awards: #239 of 500 Greatest Songs of All Time (Rolling Stone) - Often credited as 1st ‘soul’ record or as ‘prototype’ of soul music.
Influenced by / Copied from the gospel song ‘It Must Be Jesus’ (Southern Tones):
While on the road with his band in the summer of 1954, Ray Charles heard the song on the radio. Charles and his band member, trumpeter Renald Richard, penned “a song that was built along a gospel-frenetic pace with secular lyrics and a jazz-inspired rhythm and blues background.”
Ad in The Cash Box, January 1, 1955:
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It Must Be Jesushttps://youtu.be/AvCbVLZW4EYWritten by Bob King (? - ?). [Any further info is welcome.]
Recorded by Southern Tones, 1954, Houston, TX. No specific date found.
Released as 78 rpm Duke 250, April 1954. Flipside: ‘Dying Sinner’. See label scan below.
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The Southern Tones’ ‘It Must Be Jesus’ / ‘Dying Sinner’ got an ad in Billboard, April 24, 1954. It’s one of the tunes that are called ‘rhythm and blues and religious music for millions’.
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Influenced by the spiritual ‘There’s A Man Going Around Taking Names’ (Joshua White). ‘It Must Be Jesus’ is said to be a ‘reworking’ of White’s spiritual.
Source:
https://books.google.be/books?id=ZSVWDw ... es&f=false- - -
There’s A Man Going Around Takin’ Nameshttps://youtu.be/nCVFFHjuuU0Written by Josh ‘Joshua’ White (1914-1969) aka ‘The Singing Christian’.
Recorded by Joshua White, 1933 (?).
Released as 78 rpm Melotone Records (M 12861), 1933. Flipside: ‘Lay Some Flowers On My Grave’.
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Trivia Josh White was a singer-songwriter and civil rights activist. He also recorded under the names of Pinewood Tom and Tippy Barton.
Comparison of lyrics‘It Must Be Jesus’ starts with the lyrics
Oh there’s a man (must be Jesus)
Goin' around (must be Jesus)
Taking names (must be Jesus)
Oh yeah (must be Jesus)
There's a man (must be Jesus)
Goin' around (must be Jesus)
Taking names (must be Jesus)
Oh Lord (must be Jesus)
You know he took (took my mother's name)
My mother's name (took my mother's name)
Yeah, and he left (left my heart in pain)
My heart in pain (left my heart in pain)‘There’s A Man Goin’ Around Takin’ Names’ starts as follows:
There's a man goin' 'round, Lord, takin' names
There's a man goin' around, takin' names
Well, he took that rich man's name,
And that rich man died in pain
There's a man goin' 'round, takin' names
There's a man goin' around, takin' names
Well, he took my father's name,
And he left my heart in pain
Lord, Lord, Lord, man goin' 'round, takin' namesMore on Joshua White:
https://www.udiscovermusic.com/stories/ ... -bluesman/
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